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怪兽电力公司观后感
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《怪丛蠢物公司》是一部2001年的美国计算机动画喜剧片，由彼特·道格特、大卫·斯沃曼、李·昂克里奇执导，约翰·古德曼、比利·克里斯托配音主演。电影于2001年11月2日搜派美国上映。影片主要围绕怪物公司旗下雇佣的两个怪物展开，一个是头号吓人专家萨利文，它是一只大个头，浑身长满蓝色长毛的怪物；另一位则是萨利的助手兼最好的朋友麦克。
怪兽电力公司英文观后感拜托各位大神
在与人类世界并存的怪物世界里，维持电力供应的能源——小孩子受到惊吓时发出高分贝的尖叫变得短缺。喜欢和毛怪苏立文、大眼怪迈克作对的鲍格斯在一次偷偷加班时不小心把小女孩阿布带入怪物的世界。虽然小孩子都是害怕怪物的，但是在怪物的世界，人类更为恐怖。为了不让怪物世界发生恐慌，苏立文和迈克尽力把小女孩送回她的世界。精力无比充沛的阿布把怪物世界折腾了个天翻地覆，期间苏立文与迈克伏敬发现阿布其实是无害的，并与之产生了深厚的友谊。在他们即将把阿布送回家的时候发现了潜藏在公司内的阴谋，经过一番大战之后，苏立文和迈克胜利了，并成功的把阿布送回了家，而且他们发现了更好解决能源危机的办法——孩子的欢笑。 此部影片是由迪士尼旗下的3D动画小组Pixar制作的。在现代美国动画的创作理念中，对于儿童心理的把握来说，Pixar无疑是其中的佼佼者，而且同时捕获了成年观众内心深处的童心。在技术方面Pixar年年有拆睁所突破，在《怪物公司》里，他们研发的软件Fizt让毛发可以自主依照物理规律进行改变，而且能帮助绘制水蒸气和云朵此类无形的现象。怪物苏立文身上的毛发超过200万根，在毛发上粘着雪花的画面足以显示出电脑技术不仅可以乱真，甚至可以超过现实。为了一部动画影片而花费大量时间开发一个程序足见其对待动画态度的认真，技术也是便Pixar不容忽视的特质。 作为一部老少咸宜的家庭片，它没有任何真正意义上的恐怖镜头，更多的是洋溢着诙谐的喜剧气息。影片开始的段落妙趣横生，通过对怪物世界惟妙惟肖的表现，处处体现出对现代生活的映射。那些玩笑既有想象力又有一定的深度和智慧。怪物世界出现电力危机，新闻采访，工作人员不小心接触了人类导致防疫队隆重登场等等事件都体现出对现实世界的调侃与戏谑。它的喜剧效果不仅来自对现实生活的善意调侃，而且在人物方面也做足了功夫。迈克的一举一动都足以挑起观众的欢笑。在影片中，当迈克出现在媒体上时经常因为个子矮小而被公司Logo或条形码卷标之类物品遮住，一般来说大家会认为迈克会暴跳如雷，然而他却欢喜地不亦乐乎，毕竟他也上了电视。迈克与长着蛇头、爱开玩笑的接待员西利亚约会的一场戏也不容忽视，如此浪漫的约会确被阿布的到来彻底打乱，可爱的阿布竟然引发骚乱，使整个怪物世界都陷入了危机。在毛怪和迈克的家里，小阿布上演了一场闹剧更是让人捧腹。影片中充满幽默的细节可谓比比皆是，通过这些细节叠加起来获得轻松愉快的效果。和苏立文与迈克打招呼时的紫色冻状旅厅岁怪物不小心掉到下水道里、迈克煞有其事地为唯一的眼睛带上隐形眼镜、业绩光荣榜上永远没有迈克的整个头、拖地的清洁怪物边清理边制造污水、西利亚小姐决定不剪短头发时她头上的小蛇们长须一口气、不小心从门里带出一只小孩儿袜子的橙色毛怪的毛被防疫部队剃得精光……大量幽默细节在影片的各个角落对观众潜移默化的影响使得整个影片一直处于欢快的氛围中。配音方面，比利·克里斯托和约翰·古德曼本身就是很好的喜剧演员，走这种喜剧搞笑路线简直就是驾轻就熟。他们的声音完全没有辜负制片和观众的期望。片中迈克只有一直盖满全脸的大眼睛，再配上比利·克里斯托表情十足的声音，它的形象就体现的淋漓尽致了。动画片的配音对于喜剧角色尤为重要。在影片结尾，出现在房间里的竟是迈克，他以他独特的幽默使得孩子哈哈大笑，能量源源不断。这一方面呼应的开头，另一方面点名了影片的主旨：快乐才是能源的根本。 欢快的剧情让观众充满乐趣，温情的童话式结局使得观众的童心得以满溢。 《怪物公司》在当年以全球累计票房5亿多美元成为仅次于《狮子王》历年卖座成绩第二位的影片，它无疑是一部成功的商业动画影片。 翻译吧
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求电影《怪兽电力公司》的英文简介和英文影评
If you are a child, in some night, you secretly turns on the closet,actually impressively discovered is gloomy in the closet quoin place,lets the person 寒毛 but actually vertical monster correct use greenspooky eye peep at you, you can make what response? Scream! Certainlyis the startled sound scream! But you do not know, like this mightcherish on center monsters under. Lives in us outside the world, themonsters also have to belong to their world, the high decibel screamwhich when maintains this monster world the only power energy comesreceives from the child frightens sends out, for this, the monstershas also established own monster limited company, speciallyresponsibly goes to the human world by this company's in monster tothreaten the children, thus collects their scream. Su Liwen (John古德曼) is a royal purple superficial knowledge, steadily theantenna big fellow monster, its appearance is fierce, is in themonster limited company illustrious goes against the level to threatenone of experts; Su Liwen exclusive threat assistant, simultaneouslyalso is its good friend's Mike (billy Christowe) is a green alone eyemonster, did not look the stature compared to Su Liwen 小好 several,the temperament may not be small, frequently likes from making theposition. In addition, in the company has all kinds of dispositioneach different member, CEO (is not should be called "chief threatofficial"?) Henry (the James tan oak is abundant), steadily the snakehead, the love are cracking a joke reception Greece Li Ya, but alsohas specially treats with Su Liwen is doing, mutually is not convincedBao Gesi... ... Each kind of of all forms monster performs its ownfunctions, operates not the company difference which sets up comparedto the humanity. But more and more becomes accustomed to along withthe children to the monsters threat acrobatics, wanted to obtain theirscream also to become an exceptionally difficult matter, but thisdifficult not to wise Su Liwen, he led Mike to arrive the human worldto prepare to make "the model worker example" to have a look for allthreats experts, but had not thought Su Liwen had disobeysconventional the procedure to bring an unexpected side effect - twoyear-old humanities little girls Abe (Mary Gibbs) accidentally tobring back to by them the monster world, several millenniums, only hadthe monster to arrive the world, Has not had the humanity to arrivethe monster world precedent, then might trouble in a big way, energyincomparably abundant Abe tossed about earth-shaking the monsterworld, in chaotic situation, including self-examined supernaturallybrave Su Liwen also took her to be at a loss, but Mike originally wasthe green 脸急 green, how did they have to make up this because ownsparse suddenly rushed big calamity?
谁能给我推荐一个很奇幻的电影？（国外的）
我为您推荐电影《怪兽电力公司》(Monsters, Inc.)。
推荐理由：
这部电影是皮克斯公司出品的一部奇幻动画电影，制作精良，故事情节紧凑生动，让观众一起探索这个充满奇幻色彩又有些许搞笑的幻想世界。
故事梗概：
电影讲述了怪物世界所依靠的能源之门公司，这家公司的业务是橡激通过收集人类的尖昌脊叫声来制造能源。公司员工斯林克和詹姆斯是这个公司最顶尖的工人之一，他们的工作就是从人类世界收集尖叫声来生产能源。但是，业务竞争激烈，而客户需求的尖梁迅袜叫声却日趋稀缺，他们必须寻找新的方法来保证公司的运转。恰巧，在一个晚上，詹姆斯意外将一位小女孩名叫布尔倒入怪物世界中，这改变了他们的人生轨迹，也带来了意想不到的惊喜与改变。
获取荣誉：
该电影获得了第75届奥斯卡金像奖最佳动画长片奖，同时也赢得了大众的喜爱，口碑良好。该电影不仅非常适合家庭观影，也可以让人重拾孩童时期的乐趣，同时，它也易于以不同的层次和角度为人们的心灵和精神带来启迪。
以下是知名影评人的影评：
“《怪兽电力公司》是一部让大家感觉既有趣又深入的影片。这部影片的动画表现非常出色，同时，影片通过深度思考和哲学探索， 对人类与怪兽的关系进行了深刻而独特的探讨。”
—— Roger Ebert，《芝加哥太阳报》影评人
怪物公司英文影评
1
The focus of /Monsters, Inc./ is a made-up world of monsters, Monstropolis, which is powered by the screams of little children. Since not all children have the same fears, monsters (and children) are carefully profiled such that the scream output is maximal. A child not afraid of a monster is therefore particularly terrifying to them.
Every night, the monsters venture into our world (through closet doors) and collect screams, with a running competition as to who collects the most. The scream leader is Sully (voiced by John Goodman), who's actually a good-hearted sort, and in second place, vying for first, is Randall Boggs (Steve Buscemi), who's evil even by monster standards.
One child, Boo (Mary Gibbs), who apparently isn't afraid of anyone except Randall, enters the monster world and causes panic. It turns out that Boo is a victim of a more global conspiracy that Sully and his friend Mike (Billy Crystal) must unearth. In doing so, they find a source of power that is more fulfilling than a child's scream.
The film contains some great animated sequences, including a chase scene involving thousands of doors. As with many other animated movies, the gadgets and workings in the power factory are imaginative and inspiring. /Monster's Inc./, like /Shrek/, is an animated film made for both young and old alike. While it doesn't delve too much into the realm of parody, it's novel story line combined with quality animation and voices make it a must-see on the big screen
2
John Goodman voices James P Sullivan or 'Sulley', a big furry monster with teeth and claws. His partner is Mike Wazowski (Billy Crystal), a monster that is almost entirely one enormous eyeball, and the two of them work at Monsters, Inc. This is the power company of the city of Monstropolis – at Monsters, Inc. the monsters travel through doors matched to those in children's' bedrooms and scare the children in order to make them scream. The screams are collected as the source of the city's power. Sulley is the number one scream-generator at Monsters, Inc. as well as being popular and respected by everyone except his work rival Randall Boggs (Steve Buscemi). Mike basks somewhat in Sulley's glory, handling his paperwork and changing his collecting cylinders.
Sulley and Mike's successful careers at Monsters, Inc. are suddenly under threat when they accidentally let a human child into the monster world. The problem is that monsters are terrified of children, and anything associated in any way with children is banned in Monstropolis. The little girl is called Boo (Mary Gibbs), and Sulley and Mike will have to find a way to hide her while they try to figure out how to get her home. This is difficult in the presence of the sneaky and suspicious Randall, who has evil plans of his own.
This is a fine animated film with plenty of action, humour and a fair bit of emotion. The story is fresh and interesting, and is also extremely intelligent – it doesn't succumb to talking down to its audience. The animation is sharp, colourful, and beautifully done with plenty of attention to detail, so that the furry monsters really do look furry. Boo is charming and sweet, and perfectly voiced by the little girl who plays her. If the film has one flaw, it is that on some occasions it seems to be trying to be cuter than it needs to be.
3
Monsters, Inc works on every level. Now this can be applied to just about all of the computer-animated Pixar films, but it is especially true of this one. It made me laugh, gasp in amazement, almost cry. Then it made me happy for about a week. Then I saw it again. It's that good.
Like they did in A Bug's Life, and the Toy Story movies, the good (read: amazingly talented) folks at Pixar have created a world, nay, a universe here. The basic premise is this: there exists a parallel universe populated entirely by monsters. Our New York or London is their Monstropolis, a huge city with a bustling economy that houses a gigantic corporation known as "Monsters, Inc." The company is responsible for providing the city with power by eliciting screams from children in the human universe. It employs "scarers," monsters who go through the doors of the unsuspecting kids' bedroom closets, scare them and collect their results. It's an interesting explanation for why we're afraid of what's in the dark recesses of our closet space.
The current top scarer is James P. Sullivan (John Goodman), eleven-time Employee of the Month and all-around lovable big lug. His assistant is Mike Wazowski (Billy Crystal), sarcastic, cynical and pretty much the opposite of "Sully," as he's referred to, in every way. Their rival -- and the film's eventual villain -- is Randall (Steve Buscemi), a shape-shifting, horrifyingly ugly purple monster who will do anything to get his name up on that Top Scarer's board, including coming in late at night and surreptitiously collecting extra screams.
One night, while shuffling through paperwork, Sully finds a door left on the Scare Floor. He goes in and comes out with a human child clinging to his back. But, you see, all monsters have been ingrained with the idea that the mere touch of a human child is deadly to them, and the presence of the kid will inevitably cause panic and ostracism. So Sully and Mike do their best to hide the little girl, voiced by little Mary Gibbs, while realizing that kids aren't so bad after all.
There are a lot of directions to go with this story, and I think Monsters, Inc. goes in all of them at some point or another. The most remarkable thing about it is that though it never breathes -- there is nary a moment when something crucial is not going on -- the emotional core of the story remains lucid. And it is beautiful: everything about childhood, growing up and open-mindedness is here, without any hint of preaching or talking down to the audience. I am convinced that if you look hard enough, the meaning of life -- whatever it is -- is in here somewhere.
Part of this may be because the kid, later nicknamed Boo, is so gosh-darn cute. But I think that her appeal goes beyond cuteness. Boo is a real child, not a figurehead, with real fears and idiosyncracies, and a personality that comes through even though she never even speaks a sentence. Yeah, she's cute, but not in the way E.T. is cute, or that puppy in Turner and Hooch. She's the real thing.
Monsters, Inc. left me feeling warm, and good and happy. By telling a story of monsters in a parallel universe, it somehow reaffirmed my faith in humanity. And, unlike ninety percent of feature-length animated movies, it doesn't just peter out, but ends with a bang. Its last shot is its best.